Designing digital musical instruments using Probatio :
General Material Designation
[Book]
Other Title Information
a physical prototyping toolkit /
First Statement of Responsibility
Filipe Calegario.
.PUBLICATION, DISTRIBUTION, ETC
Place of Publication, Distribution, etc.
Cham, Switzerland :
Name of Publisher, Distributor, etc.
Springer Nature,
Date of Publication, Distribution, etc.
[2019]
PHYSICAL DESCRIPTION
Specific Material Designation and Extent of Item
1 online resource
SERIES
Series Title
Computational synthesis and creative systems
INTERNAL BIBLIOGRAPHIES/INDEXES NOTE
Text of Note
Includes bibliographical references.
CONTENTS NOTE
Text of Note
Intro; Preface; Contents; Chapter 1: Introduction; 1.1 Context; 1.2 Objectives; 1.3 Approach; 1.4 Document Outline; Chapter 2: Challenges in Designing DMIs; 2.1 Digital Musical Instruments; 2.1.1 DMI Classification; 2.2 The Challenge of Multiple Combinations; 2.2.1 Gestural Controller; 2.2.2 Sound Output; 2.2.3 Mapping; 2.2.4 Feedback; 2.2.5 Summary; 2.3 The Challenge of Expressivity and Virtuosity; 2.4 The Challenge of Evaluation and Evolution; 2.5 The Challenge of No Previous Knowledge; 2.6 The Challenge of Multiple Stakeholders and Contexts of Use; 2.7 Final Considerations
Text of Note
6.2.2.1 Hybrid Instruments6.2.3 Discussion; 6.3 Morphological Chart for DMI Idea Generation; 6.3.1 What Is Morphological Analysis?; 6.3.2 Morphological Chart Based on Instrumental Inheritance; 6.4 Development of the Functional Prototyping Toolkit for DMI; 6.4.1 Guidelines; 6.4.2 Implementation Decisions; 6.4.3 Physical Structure; 6.4.4 Connection Slots; 6.4.5 Blocks; 6.5 Final Considerations; Chapter 7: Evaluation of Probatio 0.1; 7.1 Description; 7.2 Evaluation; Chapter 8: Evaluation of Probatio 0.2; 8.1 Evolution from Probatio 0.1; 8.1.1 Number of Blocks and Multiple Sensors
Text of Note
8.1.2 Changing Mapping Strategy8.1.3 Sound Output Module; 8.1.4 Curved Shapes; 8.1.5 Connection Arm Support; 8.1.6 Protection and Connections to the Hub; 8.1.7 Friction of Blocks and Slots; 8.2 Experiment; 8.2.1 Objectives; 8.2.2 Design; 8.2.3 Methods for Data Collection; 8.2.3.1 Video Recording; 8.2.3.2 Questionnaire; 8.2.3.2.1 System Usability Scale; 8.2.3.2.2 Exploratory Questions; 8.2.3.3 Comparative Questions; 8.2.3.4 Semi-structured Interview; 8.2.4 Methods for Quantitative Analysis; 8.2.4.1 Video Analysis; 8.2.4.2 System Usability Scale Score; 8.2.4.3 Paired-Samples t-Test
Text of Note
8.2.4.4 Wilcoxon Signed-Rank Test8.2.5 Methods for Qualitative Analysis; 8.2.5.1 Thematic Analysis; 8.2.5.2 Coding Methods; 8.2.6 Setup; 8.2.6.1 Hardware; 8.2.6.2 Software: Mapping and Sound; 8.2.6.3 Generic Sensor Toolkit; 8.2.6.4 Correspondence Between Systems; 8.2.7 Technical Test Pilot; 8.2.8 Participants; 8.2.9 Experiment Protocol; 8.3 Results; 8.3.1 Quantitative Analysis; 8.3.1.1 Video Analysis; 8.3.1.1.1 Code Scheme; 8.3.1.1.2 Duration of the Interaction Phases; 8.3.1.1.3 Quantity of Transitions Between Phases; 8.3.1.1.4 Quantity of Distinct Items Used
Text of Note
Chapter 3: Design Process3.1 Idea Exploration; 3.2 Prototyping; 3.3 Final Considerations; Chapter 4: State of the Art; 4.1 Frameworks and Approaches for DMI Design; 4.2 Functional Prototype in DMI Design; 4.2.1 Tools for Physical and Functional Prototyping; 4.2.2 The Trade-Off Area; 4.3 Final Considerations; Chapter 5: Early Exploration; 5.1 Methodological Approach; 5.2 Project Batebit; 5.2.1 Interviews; 5.2.2 Workshops; 5.2.3 Pandiv; 5.2.4 Sandbox Wow; 5.3 Summary; Chapter 6: Proposition; 6.1 Scope and Basis; 6.2 Instrumental Inheritance; 6.2.1 Related Concepts; 6.2.2 Possible Evidence
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SUMMARY OR ABSTRACT
Text of Note
The author presents Probatio, a toolkit for building functional DMI (digital musical instruments) prototypes, artifacts in which gestural control and sound production are physically decoupled but digitally mapped. He uses the concept of instrumental inheritance, the application of gestural and/or structural components of existing instruments to generate ideas for new instruments. To support analysis and combination, he then leverages a traditional design method, the morphological chart, in which existing artifacts are split into parts, presented in a visual form and then recombined to produce new ideas. And finally he integrates the concept and the method in a concrete object, a physical prototyping toolkit for building functional DMI prototypes: Probatio. The author's evaluation of this modular system shows it reduces the time required to develop functional prototypes. The book is useful for researchers, practitioners, and graduate students in the areas of musical creativity and human-computer interaction, in particular those engaged in generating, communicating, and testing ideas in complex design spaces.
ACQUISITION INFORMATION NOTE
Source for Acquisition/Subscription Address
Springer Nature
Stock Number
com.springer.onix.9783030028923
OTHER EDITION IN ANOTHER MEDIUM
Title
Designing digital musical instruments using Probatio.