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عنوان
The Steadicam operator's handbook /

پدید آورنده
Jerry Holway and Laurie Hayball

موضوع
Cinematography,Motion picture cameras,Steadicam (Trademark)

رده
TR880
.
H86
2012

کتابخانه
Center and Library of Islamic Studies in European Languages

محل استقرار
استان: Qom ـ شهر: Qom

Center and Library of Islamic Studies in European Languages

تماس با کتابخانه : 32910706-025

INTERNATIONAL STANDARD BOOK NUMBER

(Number (ISBN
024082380X (pbk)
(Number (ISBN
9780240823805 (pbk)

NATIONAL BIBLIOGRAPHY NUMBER

Number
b411099

TITLE AND STATEMENT OF RESPONSIBILITY

Title Proper
The Steadicam operator's handbook /
General Material Designation
[Book]
First Statement of Responsibility
Jerry Holway and Laurie Hayball

EDITION STATEMENT

Edition Statement
2nd ed

.PUBLICATION, DISTRIBUTION, ETC

Place of Publication, Distribution, etc.
Waltham, MA :
Name of Publisher, Distributor, etc.
Focal Press,
Date of Publication, Distribution, etc.
2013

PHYSICAL DESCRIPTION

Specific Material Designation and Extent of Item
xiv, 458 p. :
Other Physical Details
col. ill. ;
Dimensions
28 cm

INTERNAL BIBLIOGRAPHIES/INDEXES NOTE

Text of Note
Includes bibliographical references and index

CONTENTS NOTE

Text of Note
Contents note continued: Moving through space -- Floating the camera -- Put the rig on the other side -- Negotiating tight spaces -- Running with a rig -- Section Six Framing Techniques -- More on operating -- Framing corrections -- Precise framing techniques -- Lock offs -- Whip pans -- Longer lenses -- Zoom lenses -- Pass-bys -- Telling the story -- Section Seven Getting to Work -- Accessories -- Focus pulling -- Preparing for a shoot -- Communication -- Using grips wisely -- Section Eight Extending the range of movement -- Inventing the wheel -- Configuring the rig -- Flying with a motorized stage -- Inertial augmentation and balance -- Gyros -- Vertical control -- Arm posts -- Section Nine Extending the range of options -- Steadicam® and vehicles -- To ride or not to ride? -- Hard mount or soft mount -- Safety, speed, communication -- Types of vehicles -- Endurance a test of mind and body / Brant Fagan -- Vehicles to avoid --
Text of Note
Contents note continued: The long Steadicam shot / Larry McConkey -- Camera Darwinism -- And Action!
Text of Note
Contents note continued: This is just a little part of the Turkish helicopter story / Jakob Bonfils -- Interesting vehicles we like -- Section Ten The business side of Steadicam® -- Buying a Steadicam® -- Negotiating your deal -- Advertising -- Insurance -- Section Eleven Unique environments and requirements -- Weather alerts -- Survivor no. 1 / Scott Lakey -- Documentaries and industrials -- Capturing reality / Chris Fawcett -- Video and Steadicam® -- Steadicam and live TV / Lars Riis -- Heavy cameras -- Unintended consequences -- Lightweight rigs -- Steadicam light / Garrett Brown -- Lightweight Steadicam® -- Garrett's big night out -- DSLR cameras and Steadicam® -- Section Twelve New Directions -- Sometimes I dream in Tango[™] -- Steadicam® in 3D -- Section Thirteen The experienced operator -- The right attitude -- Additional concerns -- How do we get this shot? / Charles Papert -- Breaking the rules -- The emotional stuff -- Long shots -- A great walk and talk --
Text of Note
Machine generated contents note: Cut. Print. Great -- How to begin -- Section One The Steadicam® and its parts -- Wearing the Steadicam -- Basic physics -- Getting to know the rig -- Basic Steadicam terms -- Building the rig -- Four balancing acts -- Static balance -- Dynamic balance -- Section Two Getting Started -- Putting on the Steadicam® -- Moving with the rig -- The right touch -- Starting and stopping -- The camera's path -- Making the switch -- Variations on the line dance -- Memorizing the shot -- Section Three Beyond the Basics -- Low mode -- Navigation -- Keeping the camera level -- Steadicam® posture -- General health and operating -- Women and Steadicam® -- Are you ready? -- My big break / Dan Kneece -- Section Four Steadicam® and filmmaking -- Basic shot design -- Take after take / Janice Arthur -- Your role as storyteller -- Point of view -- Moving composition -- Strong camera moves -- Section Five Movement Techniques -- Would you care to dance? --
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TOPICAL NAME USED AS SUBJECT

Cinematography
Motion picture cameras
Steadicam (Trademark)

DEWEY DECIMAL CLASSIFICATION

Number
777/
.
5
Edition
23

LIBRARY OF CONGRESS CLASSIFICATION

Class number
TR880
Book number
.
H86
2012

PERSONAL NAME - PRIMARY RESPONSIBILITY

Holway, Jerry

PERSONAL NAME - ALTERNATIVE RESPONSIBILITY

Hayball, Laurie White

ORIGINATING SOURCE

Date of Transaction
20130123111930.0

ELECTRONIC LOCATION AND ACCESS

Electronic name
 مطالعه متن کتاب 

[Book]

Y

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