Preface: returns of theory -- Introduction: narrative spycams: a foreshortened view -- The prying "I" of montage -- Telescreen prose -- Feedback loops of the technopticon -- In plane sight -- The othering of lives -- Digital reconnaissance and wired war -- Retrospecular eyes -- Parallel world editing -- Postface: on mediation as interface
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TOPICAL NAME USED AS SUBJECT
Electronic surveillance in motion pictures
Motion pictures-- United States-- History and criticism